Showing posts with label Natalie Dessay. Show all posts
Showing posts with label Natalie Dessay. Show all posts

Sunday, March 15, 2009

From Short Term to Long Term

Now that a few days have passed, I'm starting to remember the silly little things about Sonnambula and Firebrand, all unrelated to the performances themselves.

There's a fun website out there called Opera Tattler. The Tattler gives reviews of performances and then tattles on the audience's bad behavior. So in the spirit of OT, here's what I noticed.

La Sonnambula:
  • When Juan Diego Florez made his appearance, people applauded and then other people shushed them.
  • Every time the action was incomprehensible you could hear people muttering.
  • During intermission and afterward the talk was all about how stupid the production was.
  • I did hear one cellophane candy wrapper being opened and folded during act 2.
  • For the first sleepwalking scene, Natalie Dessay entered the stage from the audience. Up in the Balcony, we couldn't see her but we could hear rustling as everyone who could get a view turned in their seats. It was quite a sound.
  • I could swear I smelled something burning for much of the performance. Got me wondering where the emergency exits were.
That's all I can think of for now. I'll post more if I remember more.

Firebrand of Florence:
  • Each seat had a plaque glued on the back with the name of whoever donated enough money for them to, I suppose, afford the plaque. Before the performance began, two rows in front of me, someone sat in his seat and then there was this loud crashing sound. The entire seat back dedication plaque had fallen off. He picked it up and you could see him thinking, "Ok, now what do I do?"
  • The man next to me on my left kept dozing off.
  • The man next to me on my right hogged the armrest. I finally acknowledged that if I wanted to rest my arm, I'd have to come into contact with him.
  • One of those men smelled like he got dressed from a pile of clothes. You know the smell I mean. I think it was the armrest guy, which made it even more unpleasant for me to actually come into contact with him when cramps I got from holding my arms in finally forced me to spread out and inch or two.
  • Someone nearby must have had lots of beans and broccoli for dinner the night before. I hope I don't need to go into further detail about how I know that.
  • People applauded when Victoria Clark entered.
  • My Backstage Visit was much more intense than I let on in the post I wrote about it.
That's all I can think of right now. As more junk seeps from my short term to my long term memory I'll add to the list.

Friday, March 13, 2009

The Official Unofficial Review

Before I begin, I feel the need to mention my disclaimer: I do not do a professional musical review. I write about my experience, my perception, my impressions. If you are looking for a professional review that uses musical terms and so on, you are reading the wrong blog.

Ok, now that I've taken care of business...

Day 1:

I got to Penn Station at about 4:15 and met my friend at 4:30. We walked uptown, took a few photos



and then made our way to the restaurant. She had made a reservation at the same place I went to back in October before Lucia.We went around the corner from the place, found a little courtyard with benches and went in to change into our heels. I'm sure we weren't the first to do that there and we won't be the last. So we walk in and she jokes with the guys there that she was allowed out for the evening... everyone laughs, we sit. A minute later the maitre d' (I looked that up, that's how it's spelled) came over with two glasses of champagne, "To celebrate being let out for the evening." Nice, huh? So we ordered the 4 veggie, 3 seafood plate from the antipasto bar and of course I got those yummy tiny octopuses. Yum!!!! Tentacles, suckers and all. Perhaps this time the champagne affected my gross-food meter? But I'm sober now and salivating at the thought of those yummy tiny things. Ok moving on, I also ordered the special salad of the day which included caramelized pears and candied pecans. Or maybe it was walnuts. I don't even remember. It was like dessert with mixed greens. I also ordered a drink called a Pear Sidecar, your typical girltini drink with a caramelized pear in it and a cinnamon-coated rim. I should have taken a photo of it. Well now I have an excuse to go back and order it again. During the meal the maitre d' came around again with a tray of freshly-baked chocolate chip cookies and he was giving a cookie to each diner. When I say tray, I mean, from the oven, and he was using a spatula. It was odd, sort of, but fabulous. The cookie was scrumptious. Then we hobbled our way across the street and into the Met. Up, up, up the stairs, all the way to the top.



I wrote about the show here. There's really not much more to say. The singing was superb. Sound flows out of Juan Diego Florez like shimmering liquid, like honey. It is unbelievable really, that a person can produce the sounds he produces, yet he does it. He sounded better than I have ever heard him before - in any recording, any live performance, anywhere. He was amazing. Natalie Dessay is like a bird. The setting was confusing and stupid. At points the sound was a little muddy - I wonder if the seat location had anything to do with it? Anyway, I should have saved my money and gotten a score desk ticket.

Afterwards we joined the press of bodies jamming down the stairs and out the door. My friend and I parted, I hopped in a taxi and made my way across town to the apartment of another friend.

Next day my other friend and I hung around, wandered around, hung around some more. We popped in and out of shops and I got this adorable hat - I'll have to post a photo. We hadn't seen each other for like 20 years but we fell immediately back into that easy friendship and conversation as if it had merely been a few weeks. You know... the performances, the fashion, the backstage adventures... they were all fun... but hanging with my friend was really the best part of the weekend. I'm just realizing that now and I am such a dork that I'm actually getting weepy as I type this. Damn hormones. She happens to be pregnant so some of those hormones probably wafted over and entered my bloodstream. Not to make me pregnant (that's not how it works kids) but enough to make me weepy.

Ok... so we hit ourselves with pretty sticks and hopped on the bus to go back across town to Lincoln Center. At Alice Tully Hall there's a new little cafe. We met a fellow blogger there and had a nice little dinner before the performance. My friend didn't have a ticket so she went home and my other dinner companion and I went in. It's really pretty in the theater. I wasn't about to whip out my camera and take a photo, so I whipped out my phone instead and did this self-portrait before the performance. Ok, I'll admit, I wanted to see just how frizzy my hair was at this point. It was Frizzy.



You can see the paneling on the walls - it was really pretty. At some point these black curtain things rolled down over the side walls.

Here is a pre-performance shot from my seat. I was in the 4th row, pretty much right in the middle.



It was a concert staging. There were three or four rows of chairs on the stage for the chorus and principals. Everyone had a looseleaf notebook of the music. Whoever was singing would move forward to the music stand and microphone. They were all formally dressed in tuxedos and gowns.

The performance was great. As you can see from the picture, there was a screen behind the singers, but they didn't go nuts with the pictures - it was subtle and often quite funny. It was obvious that the performers didn't know what was on the screen because when the audience laughed they'd peek behind.

The songs were your sort of catchy generic Broadway type songs with silly clever lyrics. The singing was fab. Nathan was great. In my opinion the woman who played Angela was the best. Her voice was angelic (no pun intended), a beautiful high soprano, clear as a bell, just a delight to listen to. Her name is Anna Christy. I do believe I would go out of my way to see a performance she is in. Everyone was great. The roles are all so silly and they all looked like they were having a blast. One singer played several different characters and just changed his hat each time. There was a narrator who didn't sing but had some great descriptive lines along the way. The whole thing was so well done. I'd never seen a performance in that format and I didn't know how I would like it, but it was just delightful.

Ok so the plot... I'll just copy it from here. Benvenuto Cellini, the great Florentine sculptor, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. Thus, Cellini does his best to keep the Duke away from Angela. Meanwhile, he finds he has to keep himself away from the Duchess! At the end of the show, Cellini escapes yet another death sentence by fleeing to Paris.

Yes, your typical mayhem and madness, sneaking around and so on, with catchy tunes and silly lyrics.

I already wrote about the pre and post-show adventures here.

I'm still deciding if I should post the picture or not. Ah, what the heck. Half head and frizzy hair, here we go. For anyone who doubted, here's the photographic evidence that I was there. Proof. And poof - my hair, that is. Poof. So much for anti-frizz curl-enhancing products.


Thursday, March 12, 2009

Sonnambula Report!

Look! I have an unexpected opportunity to use a computer so of course I immediately logged on to post about last night.

Ahhhh.... Juan Diego Florez.... Ahhhhh..... Natalie Dessay.... not so ahhh for the staging. Stupid was the word that came to mind.

The music, the singing... ahhh the singing. Perfect. Beyond perfect. Words cannot describe how wonderful they were.

The staging... well... first of all, there everyone was in their street clothes. It was hard to tell what the heck was going on. If I didn't know that it was about an opera company putting on an opera I don't think I would have understood it. And then the words didn't match the action. I mean, they're singing about how Anina is beautiful and innocent and sweet and everyone loves her, but she enters like a snobby diva, handing her stuff off to anyone standing by. I'm sort of pressed for time at the mo and can't give this post the full attention it deserves, but I wanted to touch on that "words not matching the action" thing. A lot of it just didn't make sense. It makes no sense to say that someone shouldn't travel by horse in the dark b/c the way is steep, when the setting is obviously in the middle of a modern city. The main characters were obviously young, like teenagers, yet the "opera singer" characters were adults, so their behavior didn't make sense. More on the Total Day Experience later.

Because... TONIGHT!!!! Tonight. Firebrand of Florence. I can't even even think. My hair is too frizzy. Seriously. It's very frizzy. I'm not pleased about the Frizz. The Firefrizz of Frizzence. I will have to work magic with Product between now and 5.

Ahhhhh brain melting.

Tuesday, March 10, 2009

A Change of Fashion

After all those posts about the brown outfit, the brown shoes, the brown jewelry, I suddenly realized that wearing black on Wednesday and brown on Thursday means schlepping not only the clothing but the shoes, purse and jewelry with me to the Met and then schlepping the black outfit, shoes and purse to Alice Tully. My practical brain finally woke up and said, "Duh! Just bring a different shirt and wear the same skirt!" I did allude to this in yesterday's post. So... now I can return the slightly painful shoes and leave the extra purse and brown clothes at home. I'm pretty sure my skirt will survive the day well enough to wear again on Friday, and if not, my friend with whom I am staying has graciously offered to loan me something from her wardrobe. So now I just have to decide on the necklaces. I have a purple thing just like the brown one here. Tonight I can add some baubles, maybe a dangling bead, and also shorten the chain, and voila, instant necklace.

The mere idea of lightening my load has taken a weight off my shoulders. (Sorry, I couldn't resist. Don't tell the pun police.)

And now, a burst of excitement for seeing Juan Diego Florez and Natalie Dessay! TOMORROW!!! At the Met!!! All dressed up, fancy fancy!!! I know it'll be great in spite of the meta-aspect. Perhaps the initial reactions were due to the unexpected nature of the setting? Either way, I always have an enchanting evening when I go to the Met, and I'm sure tomorrow will be no exception.

And then... Nathan Gunn the day AFTER tomorrow!! That still seems like ages from now because of all I'm doing between now and then.

I'll surely post again tonight with photos of the black ensemble and jewelry.

Tuesday, February 24, 2009

Oh Who Are We Kidding

As if I could take a week off. So here's some stuff I sometimes watch.

Tipsy Waltz, in context.



And Natalie Dessay doing the Lucia Mad Scene:



I still think I like Diana Damrau's Lucia the best... that's like saying, which chocolate do you want from this box? They're all fabulous, but this one has that special something...

Ha! Here's one someone took from their seat at the Met. That's even more illegal than anything I've ever done! Uh... not that I've done anything illegal... but anyway... The sound quality stinks of course, but I have to post it anyway since I saw this production. Hm. I hope Diana Damrau's press agent doesn't call me and tell me to take it off the blog... nah...



Wow. They should have propped the camera up on something. I think I'm getting sea sick...

Friday, January 16, 2009

Obvious Side-Effects

I usually (ok, always) check my email with my morning coffee. Today I had a subscription update from YouTube, and in the abbreviated blurb that comes with each video in the email, I saw "Osborn" and "Tapia." Interesting, I thought. Then I went to work, where YouTube is blocked. (there are ways around that but that's for another post.) Then I forgot!!! Bad me. Then I was thinking about John Osborn for some reason and I suddenly remembered. The "Tapia" listed there actually isn't his wife - it's a guy! It's obviously an audience recording, but in spite of that the quality is pretty good. The person who uploaded it is obviously a Dessay fan, hence the title of this post. So anyway, here it is:

Bellini
LA SONNAMBULA

Amina...........Natalie Dessay
Elvino..........John Osborn
Rodolfo.........Eric Owens
Teresa..........Claire Larcher
Lisa............Marie Devellereau
Alessio.........Alberto Tapia
Un notario......Giulano Bernardi

Hans Graf, conductor

Opéra National de Bordeaux

July 1999



Cool, huh? I can't wait to see this in March!

Sunday, August 17, 2008

Waiting 2 Hours to Spend $200

Something's not right if I have to wait almost two hours to give $200 to a theater in exchange for two, yes two, tickets to a performance. Yet that's exactly what happened to me today. Husband joked that I was trying to get tickets to a rock concert.

Single tickets for the Met's 2008-2009 season went on sale today at noon. I was poised at the computer at 11:59, ready to click through and be done by 12:10. HA! I clicked through right away and decided to try for a few different days just to see what seats I'd get. Well the only way to do that is to put the tickets in your online shopping cart. Suddenly I had tickets for 6 different performances of the same opera, totaling over $1000, in my cart. So then I had to remove the ones I didn't want. But do they have boxes where you can check off several lines and take care of this in one click? Oh no. Each ticket has to be removed individually. So here's the catch:

The tickets are held for about 12 minutes.

The server was so busy that it was taking about 10 minutes to click through one link.

So by the time I got rid of the tickets I didn't want, the tickets I did want had been released from the cart. So I did it again, but this time I chose only 1 night. Great, got the seats I was going for. Got through to the transaction page. Clicked. Waited... waited... finally ... OOPS I had forgotten to check off "mail them to me" so I had to do that and then click again. Finally got to the next page... so far so good. Entered my credit card info. Hit submit. Oops! Sorry! Too much time had elapsed, the tickets had been released.

Meanwhile, in between opening a multitude of browser windows and PDF documents of the various seating levels, I'd also been trying to call. And trying. And getting a busy signal, or even more disappointing, a recording: "This party is not accepting additional calls at this time." How many incoming calls have to get busy signals before the phone company refuses to send your call that far? I couldn't even get to the place where the busy signals live! After getting and losing the online tickets two more times due to the slowness of the server, I gave up and went outside. Ok that's not entirely true. I mean, I did go outside, but I brought the phone with me. And suddenly... I got through! The recording said there was a 10-20 minute wait. Well I was waiting. No way was I going to keep losing my online tickets because their server couldn't keep up with the demand now that I had a chance to talk to a human. Of course I went back to the computer to try again while I was on hold, and I did manage to once again get the very same tickets I had tried to purchase several times already. Then a real live person came on the line!! She said that they have the exact same ticket finding program as what we have online, and that calling can't get me better tickets (which we know isn't true, see here for details) but I wasn't going to argue - I just wanted the two tickets I'd been trying repeatedly to buy. Of course, she couldn't get them for me because... they were in my shopping cart online! So she told me to click "remove" and at that moment she'd try again to see if she could get those seats. It worked! We chatted a little (no wonder I had trouble getting through, if the phone people were chatting with all the callers) and she said that she also has the time limit on the tickets, so we did the transaction. Hooray!

So... my voice teacher and I are going to see La Sonnambula on Tuesday, March 24 at 8pm, Dress Circle, Row C, seats... um... I think 24 and 26 or else 26 and 28. There's no email transaction and I was so excited to finally be getting the tickets that I didn't write it down. The tickets were $100 each plus the various fees and taxes.

Whoo hoo! I'm seeing Juan Diego Florez and Natalie Dessay again!

Monday, June 30, 2008

Grammar Police!

Wow people (including myself) are going a bit nuts on Nathan Gunn's Yahoo Fan Group. It started with a link to his journal entry, and then a comment on the grammar and spelling in his journal, and then everyone (including me!!) went off (or is that on???) about grammar.

Meanwhile, what none of them know is, because I spend so much time with my over-generalizing son, I've been known to say "goed," "taked" and other rule-following yet grammatically incorrect conjugations.

Speaking of my over-generalizing child, today we watched parts of Fille. Again. Rataplan Rataplan Rataplan. Actually I don't mind at all - I like it too. When I like an opera I can listen to it several (hundred) times in a row. I'll hear different things each time. In fact, today I was listening to the music lesson in Act II on my way home from work. It's so wonderful. Natalie Dessay's voice is just... too beautiful for words. I felt like the music was pouring into my ears and spreading through my body like warm sweet syrup. And it's all calorie-free!

Sunday, June 29, 2008

It's La Fille-ful

Fille was on PBS again this afternoon. I saw the DVR recording light on so I turned on the TV to see what it was catching. Canceled the recording because I already have it, but kept it on anyway. Alex was totally into it! It was at the part where the soldiers caught Tonio and dragged him into the camp. Ah yes the Little Tenor in his lederhosen, so adorable. Alex kept complaining, "This is an OPERA! There's too much talking." I agree, there is far too much. But we did some puzzles and played some games during the talky bits. He watched the ENTIRE THING THROUGH TO THE END!!! INCLUDING THE CREDITS!!!!

His favorite part: When the drunken soldiers sing the "Rataplan" song.

Natalie Dessay is AMAZING. I so want to be able to sing like her but realize that it's just impossible. It will never happen. She hits notes that when I try, no sound comes out. What's up with that????

After watching it through to the end this afternoon, I came and reread my post-Fille posts and got that happy excited tummy feeling. Sounds hokey but y'all know what I mean, right?

Thursday, June 26, 2008

Flashback!

Looked up tonight to see the little red light on the DVR. What oh what could it be recording? Wait a sec... it must be Great Performances... which means it must be La Fille du Regiment!! The very same one that I was at , up up up and away in the beautiful balcony balloon!

No matter how good it sounds in the theater or on TV, live and in person, even from waaaay up in the balcony, it's exponentially better. Exponents, remember them from math class?

*sigh* Juan Diego does look so very cute in lederhosen, especially when compared to this. Go ahead, click on that, and then once there click on the "not safe for work set." Seriously. Then you too will think how wonderful the little tenor looks in Tyrolean digs.

Sitting there on the couch in my Hello Kitty pajamas I totally remembered how excited I felt to be sitting there in the Met up in the balcony waiting for the moment when Juan Diego made his entrance. And Natalie Dessay is nothing to sneeze at - the opera is a showcase for her - she's AMAZING! And now that it's "intermission," instead of running down three levels to hang out with the rich people and drink the expensive champagne only sold at their bar, I grabbed an ice-cream sandwich and came upstairs to write. But that's only because we're out of champagne.

I wonder if I can wear my pajamas the next time I go to the Met?

Tuesday, May 27, 2008

Why Opera Keeps me Awake

I'll always love this. I feel so lucky to have seen it performed live, just like this, with the same three singers. From La Fille du Regiment:



And then there's this, from La Cenerentola, which, now that I listen to after the Donizetti, doesn't sound that different. Rossini here, Donizetti there... A coworker of mine who Knows These Things told me that they competed in how quickly they could throw an opera together.



Here's a fun one from Barbiere, especially for those of you who like some girl-on-girl action:



Since they play catch with an orange in the above video, here's the orange's "revenge" as she sings Habanera from Carmen. I remember this from my childhood!



Now listen to this craziness. More Cenerentola. Lots of Cecelia Bartoli... her voice doesn't sound real...



This just swirls my brain. I love it! From Matilde di Shabran.



Finally, to calm us down after all that, here's something I sometimes listen to just before shutting down the computer. Yes, I know, I'm Jewish, but that doesn't mean I can't like Ave Maria, especially when Juan Diego is singing it.

Friday, May 2, 2008

Where I'm Not

It's 7:35 Eastern Time. I'm home. I'm not sitting in Row DD, Orchestra Rear, listening to the orchestra tune up. That's happening right now. At this moment. As I type. I am here and they are all there. It's weird, but it's ok.

Still planning on La Sonnambula next season. Mentioned it to my voice teacher and she'd like to go too. So I might not be going alone!

Listened to an interview with JDF and Natalie Dessay. He mentioned that he'll be doing Pearl Fishers in the future. Hmm another potential pairing with the Gunnster as he often does the bari part. I wonder where... (checking my frequent flyer miles...)

Sunday, April 27, 2008

No, I Didn't See Juan Diego Florez In His Underpants

Before I write up my account of my day yesterday, I just need to squeal for a second - It just dawned on me this morning - I MET JUAN DIEGO FLOREZ YESTERDAY!!!! And I didn't even make a fool of myself. At least I don't think so.

Ok, squeal over.

Disclaimer: As I've said before, if you want an official review of the opera, go to Opera Chic or the like. I will not be giving a play-by-play of every scene and musical note.

So we start, of course, with the train.

At the station they have these electronic ticket machines. You type a code in for the station you're going to, slip your cash or credit card in and it spits out the tickets. The station was really crowded yesterday morning. One machine wasn't working. The remaining machines were taking forever to approve the transactions, plus many of the travelers had no clue as to how to use them. I got my ticket as the bell went off to signal the approaching train - WHEW!

It was your standard boring train ride, but luckily it was an express.

Got to Penn Station and it was nice out so I decided to hoof it up to the Met, a mere 30 blocks or so. Luckily my Zankel Hall Footwear Experience taught me a lesson, and I was wearing my hiking shoes. When I got warm I tied my purple raincoat around my waist. I was a real fashion icon, I'm sure. Popped into a Starbucks for iced coffee and a sandwich for my picnic lunch on the ledge on the side wall of the Met. Of course I took my sneaks off and let my feet air out during lunch, then slipped on the Fancy Shoes. Wandered around, bought a silly scrabble-themed mug at the opera shop with all opera words on it, bought an overpriced coffee and snack at Avery Fisher hall and finally went in.

Took a few pictures


then made my way to my seat. Denise came in a few minutes later. Then ...the guy on the other side of me starting making these... noises... you know... snorting... coughing... throat clearing noises. Denise thought it was me and asked if I had a cold. I said, "No, that wasn't ME," and then I turned to the guy and said with a very nice smiley tone, "You're not going to do that during the performance, right?" and he immediately popped a cough drop. No waaaay is some sniveling snorting allergic person going to ruin my Juan Diego Experience!

The opera was great! So funny, so cute. Natalie Dessay was great. Beautiful voice - great high notes, great sound and LOUD!!!! Even when she was facing upstage she was loud. She looked like a little bird, all tiny and fragile, and then That Sound came out of her! She ran all over the set, jumping onto backs and into Juan Diego's arms, collapsing on the floor and doing a lot of physical comedy. Juan Diego... when he first came out... in those leiderhosen and that sweater- he was adorable. Trust me, I've never used the words 'liederhosen' and 'adorable' in the same sentence before. And I was so excited to hear him sing I do believe I might have been trembling. Then, of course, Ah Mes Amis - If it wasn't funny I would have been crying. Seriously, my eyes got moist. That happens a lot to me at the opera. Moist Opera Eyes. Then the cheering and hooting and hollering. He stood there and finally took a little bow and said thank you and the crowd went WILD. WILD!! But no encore this time.

Then... intermission. Denise kept checking to see if I was ok that he didn't do an encore. What? Meh? Why would that bother me? I was truly confused. This was all on the way to the bathroom three levels down. Yes, there is a bathroom on the Balcony/Family Circle level. But the bathroom on I think the Parterre Level had no line! Well, a very short line, compared to upstairs. So she took a couple of pictures of me standing next to a railing:

What's funny about this shot is, I climbed up there under the railing, and didn't realize that I had stepped on my skirt and pulled it down a bit. When I got back in line for the bathroom I was like, what am I feeling? Are my pantyhose falling down? And then I realized... It was my skirt! How funny is that! It was halfway down my butt. Hey at least it didn't come off completely! I was laughing and no one noticed. But it looks like a long skirt in that picture.

After the pit stop we got champagne ($17 a glass!) and went back up to the Cheap Seats where they didn't even offer the same champagne at the bar.

On to Act 2: Just as funny, silly and glorious as act 1. Snuck a few pictures:

The quality stinks but you can get an idea of the view from the balcony. Binocs are a must.

Then... Wild Screaming Standing Ovations at the curtain calls. Everyone had huge grins. It was great.

On our way out Denise was funny - she was like, "You should go to Natalie Dessay's fan page and write that you have earrings for her, then she'll put you on the backstage list next time." I stared at her like she was insane. What? Meh? Huh? "Denise, Denise," I replied, "I have my own way of doing these things." She ignored this and went on, loudly, with her fantasy for me... I had to cut her off and explain that as a super with NJ Opera... at which point she cut ME off all excited and said, "That's IT! You can be a super here at the Met and then you'll meet her!" Ok who ever said I wanted to meet her? And... well... I won't even state the obvious about being a super at the Met lest I offend the intelligence of anyone who might be reading this. So I had to cut her off AGAIN and explain that the best way to meet anyone is to be introduced, and I'll be working with plenty of people this summer who could be my "connection" or whatever to meeting other people. She is very enthusiastic! And has the best intentions so it's hard to be annoyed. By then we had made our way down to the main lobby. She had to run but urged me to go to the stage door. I was unsure. I didn't know where it was. She dragged me over to an Official Looking Person to ask how one finds the stage door. The guy totally misunderstood. He said with an Obnoxious Laugh, "You have to be on the list to get backstage." Yeah no sh** sherlock. I said, "Not BACKSTAGE... I'm looking for the stage door where people wait for the singers to come out." He gave me these wacky directions: Down the stairs, through the glass doors, make a left, go through the opening, follow the signs down a narrow hallway that twists and turns and you'll find it there. And that was pretty accurate! The picture in my last post, of the sign duct-taped to the wall, was pretty much what the whole place was like. Construction equipment on the floor, pipes and wires, debris, a twisting and turning passageway with paper signs duct-taped to the wall. Husband joked that maybe they do it to lure the rich opera-goers to a secluded spot where they can then rob them! But no, it did eventually lead to the stage door. There were a few people waiting there, sort of lined up against the wall of the hall. The guy I was next to was kind of strange - sort of socially off... like someone who'd be next to you on an airplane for a loooong flight. He hadn't been at the opera - he listened on the radio and then came. He had this poster of Juan Diego as Almaviva that he got on sale, blah blah too many details, he showed me all his different colored sharpies. you get the idea. I told him that all I wanted was a picture. He said he would take the picture as long as I promised not to get mad if he didn't go a good job... and, he said, after he got his poster signed. Whatever... he was nice and all, but just... well... a strange egg.

There were probably about 10 people bunched up by the stage door, and then a line of people down the wall. I, of course, was in the bunch. I was the youngest of the bunch too. One person in the production was a woman who spoke but didn't sing - she is/was a famous Broadway actress from the 1970s. About 6 of the10 there were there to see her. None of them were under 70. Then a few others in their 60s, then... me.

Every time the door opened, everyone looked and let out a breath. It was like a surprise party, waiting for the guest of honor and each time the door opened it was someone else. One short, dark-haired guy came out and immediately said, "I'm not him!" It was funny.

After about half an hour, the door opened and some nobody came out but someone said, "Oh, I see him on the stairs, he's on his way out. So of course my cool calm demeanor just vanished. Out the door. I had this adrenaline rush, my heart started pounding and my hands were shaking. That just wouldn't do - the iPhone needs a steady hand to take a clear picture! Juan Diego came out about 30 seconds later. I forced myself to be calm. The people right there shoved stuff in his face, "Will you sign this?" Some people were asking him to sign more than one thing. What's up with that? One guy said all dorkily, "Your music makes me happy." I decided then and there: No autograph. I'm introducing myself. In Spanish. So he signed a few autographs and then I Made My Move. I arranged my blouse (ahem), stepped forward (cutting off the weird guy) and said with a smile, "Hola Juan Diego, me llamo Susan" and he smiled said "Hola" and then my Spanish went out the window. I said, "I'm a really big fan... can we take a picture together?" and he said, "Of course," and several people offered to take it. So that weird guy took my iPhone and tried to take the picture. He said he thought it came out blurry. Juan Diego took it from him and said, "Let's see how it came out." He looked at it and it was blurry so we gave it someone else. I showed and explained how to take the picture. It's very easy. You just tap the picture of the camera. No squeezing, no pressing, just... tap. No one could get it. This batch of photos had his head cut in half. Then he was waving the phone in the air, "Does anyone here know how to use an iPhone?" And then I wrote about what ensued in my previous post.

But here's the fun stuff: THEN his WIFE came over and whined, "Juan Diegoooo, you made me RUSH and now what are you DoooOING?" And he was like, "Oh! I'm sorry" and he said he had to go back in but he'd come back out. I congratulated her on their wedding and she very sweetly said thank you. She is GORGEOUS in person, very glamorous. And it's clear who is in charge in that relationship! So anyway he went in and I left. I wasn't going to wait around for him to return - I got my set of blurry pictures.

While we were posing there, several people were taking pictures of us with their own cameras. I'm kicking myself now for running off without giving them my email address. Hopefully eventually one of them will come across my blog or myspace page and contact me. It's a small world, right?

And THAT is the whole story.

One of my friends pointed out that it's a good thing I already met Nathan and also John Osborn because that prepped me not to totally lose it when Juan Diego came out. She's right!

One thing I'm happy about is the fact that I introduced myself to him. Everyone else was just, "Would you sign this?" and shoving things at him. I think that was kind of rude. It's like people forget that a celebrity is a real person and treat them like an object.

I also must say that he's much cuter in person than he is in any photo or video I've ever seen of him. It's what I call the Derek Jeter syndrome, who is also much cuter in person. No, I never met Derek Jeter but we went to see him play with the Trenton Thunder several years ago when he was coming off the disabled list. So photos don't do him justice.

Ok so... the question on everyone's mind: Nathan Gunn or Juan Diego? I already know the answer but I'll save that for another post. It deserves its own post, don't you think?

Tuesday, January 15, 2008

The Future

I just checked the upcoming Met schedule here: http://http://www.metmaniac.com/future.html and can now plan my future...

For 2008-2009, I'll be seeing La Sonnambula, with Natalie Dessay and Juan Diego Florez, possibly Don Giovanni, and whatever Denise "drags" me to with her class.

I think anyone going to that list can guess what else I'm planning on getting tickets for.

Nathan Gunn's not listed there but that doesn't mean he won't be in anything there next year. Just have to wait for the official schedule.