iPod Shuffle Train of Thought - Pirates! And a Confession!

Was out exercising with the random shuffle. It's great to hear Juan Diego Florez and then the Beatles. It's not so great to get a track that's an entire act of an opera, or else a track from a CD of an opera that's all recit. At least the recit tracks are usually under 30 seconds.

But that "entire act" track got me thinking about recordings of operas, and the idea of piracy.

I have never recorded an opera from the audience. Even if I wanted to, I don't have the equipment. But I don't want to deal with the hassle, nor do I wish to break the law and risk getting kicked out, just to have a (cough-ridden) recording of an opera I've attended. I just want to enjoy the moment. However, there are people out there who not only record but willingly share those recordings with other opera fans. Share, as in, free. I want to point out that I'm not including radio broadcasts in this. To me, if it's broadcast on the radio, anyone can record it to listen to again later. Not to sell, but to listen and share. But these pirated recordings... I do wonder sometimes what the artists themselves think. Of course each person is different. If it's taking money out of their pockets, I imagine they wouldn't be too pleased. On the other hand, isn't it sort of flattering to think that there are these unofficial recordings out there, passed around among fans? Perhaps creating new fans, even? Now, I have heard some singers profess that pirated recordings send a bad message. Not sure what/how/why... perhaps I'm naive... Does it send a message (to whom?) that it's ok to record live performances? I doubt it. I'm pretty sure most adults are aware of the legal stuff surrounding it. Does it prevent people from buying tickets? "I've heard this crappy audience recording, so why go see it live?" Does it prevent people from buying CDs? "I've heard this crappy audience recording, so why buy a totally unrelated CD of the artist I heard on the crappy recording?" I doubt it. If anything, it's just the opposite.

Confession: I have come across some pirated recordings, mostly of Nathan Gunn because people would just give them to me, but also of some others. So I guess I've broken the law by accepting and occasionally sharing these recordings. I did once make a video that I was asked to remove... and I did, immediately, with tons of apologies and promises not to do it again, etc. I wasn't trying to be sneaky - I honestly thought at the time that I was doing a nice thing. Yes, I am naive about the music business. And no, don't ask me for a copy of it - it's gone.

But now you all know ... It's true... I'm a scofflaw! A rebel! I confess!!

Obvious Side-Effects

I usually (ok, always) check my email with my morning coffee. Today I had a subscription update from YouTube, and in the abbreviated blurb that comes with each video in the email, I saw "Osborn" and "Tapia." Interesting, I thought. Then I went to work, where YouTube is blocked. (there are ways around that but that's for another post.) Then I forgot!!! Bad me. Then I was thinking about John Osborn for some reason and I suddenly remembered. The "Tapia" listed there actually isn't his wife - it's a guy! It's obviously an audience recording, but in spite of that the quality is pretty good. The person who uploaded it is obviously a Dessay fan, hence the title of this post. So anyway, here it is:

Bellini
LA SONNAMBULA

Amina...........Natalie Dessay
Elvino..........John Osborn
Rodolfo.........Eric Owens
Teresa..........Claire Larcher
Lisa............Marie Devellereau
Alessio.........Alberto Tapia
Un notario......Giulano Bernardi

Hans Graf, conductor

Opéra National de Bordeaux

July 1999

Cool, huh? I can't wait to see this in March!

Tuesday Post # 1 - Pearl Fishers Broadcast WOW WOW WOW!

Pearl Fishers. I had no idea how beautiful it was. I had a real, "Where have you been all my life?" sort of feeling, because I don't think my mother ever had that one on in the background when I was growing up. I wish I could have seen the action, but the radio announcers did a great job giving a detailed synopsis of what was about to happen before each act. The famous duet is right near the beginning, and then that same melody returns in bits and pieces throughout the rest of the opera, in such a way that it just makes your heart ache.

It's like this - Zurga, (the Gunnster), is sort of the top dude in this fishing village, like a judge and lawmaker type dude. One day his old buddy Nadir shows up and the two of them reminisce about how much they had been through together way back when, and they sing that oh-so-famous duet about how they were at this temple and saw this priestess and they both fell in love with her. They decided not to let that ruin their friendship, and then at that point for some reason I didn't catch, they parted ways. Zurga went off and found the village. Nadir, the sneak, stalked the priestess. She knew he was stalking her and thought it was kind of cool. Ok. so, back we are in the present. Every year (I think) this priest (deep-saffron clad CVH) brings a beautiful priestess, Leila, to bless/pray for/bring luck to the village. She wears a veil, has a vow of purity, yadda yadda yadda. So soon after Nadir arrives, up floats the boat with the beautiful priestess. Zurga is like, "Hey, are you ready to do your thing?" and when she replies, Nadir recognizes her voice, then she somehow sees him and does a double take, causing Zurga to be like, "Um, are you sure?" and she's sworn in or whatever the ceremony is. Later as everyone is out working but that sneak Nadir, he goes to sing to the priestess. She can't resist him (if he sang to me like that I'd have been his too) and replies that she digs him too. So of course they can't help themselves and there goes her vow. Now I wasn't totally paying attention so this part of the story is a bit fuzzy, but I think they either get caught, or, more likely, Zurga realizes who she is and goes to talk to her because, of course, he still lusts after her after all these years. She admits to him that she and Nadir are already "together," and he freaks out, abuses his position of power and in a fit of jealousy condemns them both to death. Harsh.
So to prepare for being dead, she gives her necklace to a soldier and asks him to give it to her mother, it was given to her by a man whose life she once saved. Well of course jealous Zurga overhears and recognizes the necklace because, wouldn't you know, he's the man.
So everyone's ready for this execution - it's like a big party because this is an Event. Zurga is like, dang, I can't put them to death, not only do I still love her (and him, in that brotherly way), she saved my life! So instead of just telling everyone, which would have been the right thing to do, he sneaks off and lights the village on fire. Then he comes running back, yelling, "Fire! Everyone run back and save the children!" When the villagers are gone, he tells Nadir and Leila to run while they can - he's saving their lives! He knows that when the villagers realize what has happened they'll put HIM to death. So it's all heartbreaking and stuff and even the happy couple floats off in a cloud of guilt.

So I know my description is a bit lighthearted, but the music was anything but. I was all weepy and sniffly for most of it. I was so moved, I sent messages to both CVH and Eric Cutler to let them know, mid-show, (yes I know they weren't checking their email during the show) how wonderful it was.

In between acts they broadcast bits of an interview that was done with the Gunnster, Eric Cutler and some others. Eric explained a technique called "mixed voice" for hitting the higher notes in certain arias. He sounded amazing. Seriously - another one of those, "If you sing it to me, I'll do whatever you ask" kind of voices. Dang.

Now I want to hear the opera over and over (and I can because I have a copy of the broadcast already) and read as much as I can about it. It's nice to add a new opera to the mix in my brain.

Great. Now that photo'll be all over the Internet.

No, Michael, not all over the Internet. Just on my blog.

"Random Chorus Member Number 12," as she prefers to be called, whose lap is under Michael's head, inspired the photo caption: (meaning, I took part of what she said and then made it my own.)

World-famous La Scala tenor Michael Fabiano with xxxx Opera Company,
where chorus members scramble for q-tips to dig chunks of wax out of his ears.

Truth is, when I showed him the picture and he said what has since become the title of the post, I couldn't tell if he was being snarky or jokey. I was sitting there on the steps eating my apple when he plunked his head down in her lap and said, "You smell good, like a girl," and she replied, "You have a big chunk of wax in your ear." And she really did dig the wax out, using the paper towel I had used to dry my apple. No, I didn't take the towel back. Ew.

Here are some more rehearsal pictures:





Look! Someone was recording the rehearsal! What is that machine? I want one!



Some sort of stomach bug is going around the cast and apparently the supers are not immune, so I'll have to write about the rehearsal in detail another time when I am in full health.

Also, I went to a live performance behind Panera last night, well half of one anyway, and I'll have my version of a full review up in a few days.