Cosi fan tutte at the Met was fabulous! Besides singing beautifully, the entire cast had great chemistry together, and great comic timing.
So the adventure begins, as usual, on the train!! I went with my friend Anna, the same person with whom I went to Grapes of Wrath. Totally packed train on a Saturday afternoon. I’m glad we are the 2nd stop on the line - we found seats together, AND they were facing forward. Don't want to ride backwards!! Then every station was crowded with city-bound and airport-bound people. At every stop the conductor announced in his New Jersey accent that there were no more seats up front - move to the back, move to the back... Meanwhile, in our car, directly in front of us were two women with a baby. An older guy was across the aisle from them, obviously intoxicated. In fact, I have no idea how he was still conscious. At first we weren’t sure, but we later realized that he was, indeed, with the women. He was loud and belligerent, threatening to kill anyone who got in their way and so on. I didn’t see, but Anna later told me that he was waving a pocket knife around. She had her eyes on the exits and was ready to pull out outta there if things got crazy. He was so wasted she could've just stuck her foot out and tripped him. Luckily it didn't come to that, and actually I never even saw the knife. And while all this was going on, another guy came down the aisle, hanging out little slips of paper saying he was deaf and asking for money. How did he get on the train? Was he running around the cars, avoiding the conductor so he wouldn’t have to buy a ticket? So he’s there with this smile, begging for money, meanwhile the women and the drunk guy were cursing up a storm and he was threatening to kill people. Yes, just another relaxing outing to NYC.
As usual, we had worn our sneaks and we walked up to Lincoln Center from Penn Station. As usual, we changed to our fancy but painful shoes a block from the restaurant. Dinner was at Rosa Mexicano. All I have to say is, YUM! Actually, I can say more. The food was really, really good. I had beef enchiladas in a mole of hazelnut and pine nuts. It was divine.
For dessert we shared the hazelnut chocolate cupcake.
Across the street at Lincoln Center we took the requisite photos in front of the fountain, next to the poster and of the front of the Met. These are all from my phone and the lighting was low so the quality isn't the best... Anna took some with her camera so when I get copies of those I'll post them.
The fountain:
Anna at the fountain:
Anna at the poster:
Magic Flute banners hanging outside the Met:
Snuck a pic in the lobby:
The seats were great. Center section of Grand Tier Rear, row E. Rows A-D are like $100 more expensive. We did spot a few empty seats front and center and could have moved, but we were settled in so we stayed put. Here's the view from our seats:
Me in my seat:
Intermission on the outside balcony:
And now let's talk about the performance.
IT WAS DELIGHTFUL! Does everyone know what the opera is about? If not, look here. And I'm happy, and not surprised to report, that Nathan Gunn did not disappoint!
Of course I knew he would deliver, but I didn’t expect him to be so... well, so adorable in this role. I mean, part of me did, but ever since ... how shall I put it... his (or his minions') misunderstanding about my level of fandom (as in, his entourage thinks I’m a crazy fangirl and treats me with suspicion, a fact I have tried but failed to ignore... especially when one over-zealous employee once questioned why I was standing where I was standing during intermission at a performance!!! And then had the nerve to send me a rude “my boss doesn’t know I’m emailing you” email!! I still have it... Uh oh will this tiny italicized writing prompt another? I say, bring it on!) anyway where was I? Right, I must admit that my admiration for his work has waned because of the ridiculous (rude) treatment from his employees ... anyway, that doesn’t mean I’d pass up an opportunity to see him perform, because the intellectual side of me realizes that all that stuff doesn’t take away how fabulously talented he is. And I’m so glad I went!
Here are some more pictures I found online. Usually I say where I found them, but I forgot to keep the links... oops... So... some of the production pics here are from the New York Times, some are from the Met Opera. And one is a pic I lifted off the Met's website using the iPhone screen capture feature.
Danielle de Niese was fabulous as Despina. Hilarious! Her entrance was her pulling the set onto the stage, because as a servant, she does EVERYTHING, including moving the house onto the stage. Of course I tweeted her about it during intermission:
@Danielledeniese Loving Cosi!! You sound great and are an adorable Despina!And look, the next morning, she replied!
@Luindriel Thanks so much, glad you enjoyed it! Cosi was really fun last night- loads of laughs- the audience was in a good mood! :) DD
Isn't Twitter fun?
Isabel Leonard was in it too. I'd seen her before as Stefano in Romeo & Juliet. Fun to see her as a woman this time. She was great.
And also Miah Persson, my favorite Zerlina! It's funny, I think of people based on roles I've watched them in. Then it's fun and even refreshing to see them in something else. She was out-of-this-world amazing. Amazingly amazing.
The train ride home was almost as interesting as the ride there... Half-asleep drunken people on the wrong train talking about fights they've been in and so on. Got home after 2am. And that's it, another successful Opera Adventure featuring the Metropolitan Opera and Nathan Gunn.
Next time: The Hurricane Video and update on voice lessons.
